The Yamaha APX700II-12 is a remarkable 12-string acoustic-electric guitar that combines elegant design with outstanding performance features. This guitar is crafted with a thin body cutaway that not only enhances playability but also delivers a rich sound profile. The solid spruce top, coupled with mahogany back and sides, ensures a resonant tone that resonates beautifully with every strum.
One of the standout features of the APX700II-12 is its ART 1-way pickup system. This innovative system captures the full body resonance of the guitar, allowing for an authentic reproduction of the natural tone and dynamics. Musicians will appreciate how the ART system faithfully recreates the subtle differences between the APX and CPX guitars, ensuring that each player’s unique style shines through.
Designed with playability in mind, the slim neck of the APX700II-12 makes it comfortable for players of all skill levels. The guitar’s thin-line profile is not only stylish but also practical, making it an excellent choice for both live performances and studio recordings. Whether you’re strumming chords or fingerpicking intricate melodies, this guitar handles beautifully.
Specifications | |
Top | Solid Spruce |
Back | Nato |
Sides | Nato |
Neck | Nato |
Fingerboard | Rosewood |
Bridge | Rosewood |
Body Depth | 80-90mm (3 1/8′ – 3 9/16′) |
Nut Width | 46mm |
String Length | 634mm |
Tuners | Die-Cast Chrome |
Preamp System | 64 1-way A.R.T. |
This model also offers a left-hand version, ensuring that all guitarists can enjoy its exceptional features. Whether you are a seasoned musician or just starting out, the Yamaha APX700II-12 is designed to enhance your playing experience.
In conclusion, the Yamaha APX700II-12 12-string thinline cutaway acoustic-electric guitar is the perfect choice for musicians who value quality craftsmanship and superior sound. With its stunning natural finish and advanced pickup system, this guitar not only looks great but also performs beautifully, making it an essential addition to any guitarist’s collection.
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